#Intaglio relief how to
Designed for all skill levels, this course will cover how to etch and process a delicate crayon drawing, ink consistency, registration, and printing. Its porous nature offers many opportunities: from drawing, to scratching, to photo-transfers, to impressing different greasy materials onto the surface.
Working on limestone is like nothing else in the world. Wrastlin’ and Rockin’ (on Stone Lithography) Andrew has received various awards and has works in a number of public and private collections across the country. His work has been shown in national and international juried exhibitions and is featured in numerous public and private collections. From 2009 to 2013, Andrew taught drawing and printmaking at The University of Southern Indiana and Middle Tennessee State University.Īndrew Kosten currently resides in Brookings, South Dakota and specializes in intaglio and lithographic print media through his own print shop and studio, Gum Pal Press. Kosten pursued a Master of Fine Arts degree in printmaking from the University of South Dakota in 2005. Upon discovering the potential of the medium of printmaking, Mr. Students of all levels of experience are welcome to participate.Īfter spending his formative years in Memphis, Tennessee, Andrew Kosten received a Bachelor of Fine Arts degree in painting from Washington University in St. A number of methods and techniques will be demonstrated during the week such as stage line etch, aquatint, soft ground, subtractive method, spit bite, and a la poupee. Participants will begin with a key plate with basic line etch and aquatint which will then be transferred onto additional color plates. The intaglio plate is a very tactile, workable surface which can be manipulated in order to achieve a wide array of aesthetic possibilities. In this class we will cover the basics of traditional multiple plate intaglio using a key image plate as a foundation for advanced color image development. His work is in the collections of the Franklin Furnace Artist Book Collection at the Museum Of Modern Art in New York the University of North Dakota Art Collections in Grand Forks, North Dakota the Amity Art Foundation in Woodbridge, Connecticut the Stonehouse Residency for the Contemporary Arts in Miramonte, California the Drawing and Print Collection at The University of Iowa Museum Of Art and the Tama Art University Museum in Tokyo, Japan. Hopson-Walker has been included in 172 juried and group exhibitions and 12 solo shows since 2006. Phelan Award in Printmaking given by the San Francisco Foundation and administered by the KALA Institute. In 2006 he was recipient of the prestigious James D. Hopson-Walker is an Assistant Professor in the Department of Art and Design at California State University at Fresno. After several years of playing in a heavy metal band and working at various bars and liquor stores he then received his MA in 2002 followed by his MFA in 2003, both from the University of Iowa. No prior experience is required.īorn and raised in Fresno, CA Matthew Hopson-Walker received his BFA in Printmaking from the Kansas City Art Institute in 1998.
Students will be encouraged to adopt an experimental approach toward screen printing production, while also developing an awareness of the traditional aspects of the medium, such as the significance of layering, appropriation, the multiple in art, edition work, and collaborative printing. Techniques covered will include direct methods (paper stencils, hand-drawn stencils, and monotypes), and indirect methods (photographic & autographic stencils). All techniques will emphasize non-toxic / less-toxic methods and materials. This Workshop is an introductory course in water-based screen printing, designed to present the basic techniques and concepts of the medium as a fine art form.
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